Trouble in Paradise. |
'Now You're Mine' begins where we left off, with Luke shielding Misty in a club full of bullets. While Diamondback is convinced that they can come out as heroes, Shades is beginning to realise that the new boss is just as self-destructively obsessed with Luke Cage as the old boss; or even more so. Luke manages to get Misty into a prohibition-era hidey-hole, while Diamondback plays out a pantomime of Luke Cage's hostage drama, including murdering Mariah Dillard's council rival with his budget Iron Man gauntlets.
Boom! |
Politics. |
Misty and Claire take down Shades when he finds the shelter - because they're awesome, yeah - but Diamondback gets away and Misty hints to Luke that he ought to bring him down, before he can go to ground and rebuild his forces.
"So... we don't have to hate each other and cat fight and shit?" |
Method Man. |
On Bobby Fish's advice, Luke uses Turk Barrett as a way to get to Diamondback, who is in need of new distributors. He goes to his half-brother's warehouse lair, but the Puerto Ricans have beaten him there and been slaughtered by Stryker using something new; something unlike anything they have seen before.
Harlem standoff. |
'You Know my Steez' kicks off as Luke and Stryker face off. Stryker's suit is bulletproof and extends the strength-boosting power of the gloves, but Luke realises that either Diamondback or the suit itself are drawing power from the fight. He lets Diamondback whale on him until the power gives out, then smacks him down. Mariah is taken into custody and it's all good! Yay for the heroes!
Oh, wait; we're only fifteen minutes in.
Actually not the main event. |
And so Luke Cage wraps up, not with a bang, but with a warrant. The really interesting thing about it is that it essentially takes the entire series to establish its actual villain. We begin with Cottonmouth, replace him with Diamondback - a greater physical and emotional threat to Luke - halfway through, but in the end the villain of this series is Mariah Dillard, the one person Luke's powers are useless against, because she would never come at him physically. Like Luke, however, she is unbreakable. For all her crimes, she walks away Scott free, her political connections protecting her from the consequences of her actions, while better men and women are eaten up by the system.
The series doesn't end quite as strongly as it began, and the high risk gambit of cycling through villains becomes a little frustrating before it finally pays off, but it's a solid entry into the MCU and recognised as one of the best and most aware black superhero stories ever.
(1) I kid of course; they don't have those when the police shoot a black man in a hoodie.
(2) During the interview, the show also gets as on the nose as it is possible to be about the aptness of a bulletproof black man to the era.
(3) It looks kind of goofy, but is probably kind of what a military-issue, non-flying, budget Iron Man suit woudl look like.
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