Wednesday 19 September 2018

The Dragon Prince

For identification purposes, this is not a Bulbasaur.

In a world of magic, humans have long been exiled from the magical realm of dragons and elves for their practice of dark magic, which draws power from other creatures, rather than the ‘primal sources’(1). In fear of an attack, King Harrow of Katolis allows his adviser, the mage Viren, to assassinate the Dragon King and his unborn son. Faced with a retributory attack by Moonshadow elf assassins, Harrow seeks to send his sons Callum and Ezran away, but Ezran stumbles on the egg of the Dragon Prince in Viren’s workshop, and the two princes go on the run, along with the Moonshadow elf Rayla, seeking to return the egg to the dragons and prevent the war that Viren is intent on fomenting.

The Dragon Prince clearly shares some DNA with its co-creator’s former work, Avatar, both in its animation style and in its tone(2). The overarching story is serious, the villain of the piece a horror, but there is much humour in the day to day situations and the relationships between the characters, including Viren’s principal henchlings, his children Claudia – a committed dark mage, but viewing it purely as a tool and showing compassion towards other intelligent beings – and Soren – a jock jerk with a decent heart, but a desperate need to prove himself to his father.

The first season of The Dragon Prince is very short – just nine twenty-five-minute episodes – but has a lot to like in it. The characters are fun – a favourite of all my family is the princes’ Aunt Amaya, a deaf-mute general and all around badass, who takes no shit and refuses to be flannelled by Viren, even before he goes full evil – the story simple, but with a lot of appeal. Also, the elves are lairy Scots whose magic is part of their physicality, rather than floaty and ethereal beings, and I appreciate a show that does something a little different with its magical creatures.

(1) Sun, moon, stars, sky, earth and water, if you’re interested.
(2) Also its elemental motifs and cute animal companions.

Final Space


Jaded space-jerk Gary Goodspeed is working off the last of a five-year(1) prison sentence aboard the spaceship Galaxy One, watched over by the ship’s AI, HUE, and an annoying drone called KVN. When he befriends a mysterious alien that he names Mooncake, he finds himself cast into the middle of a Galactic Conflict. Mooncake is an artificial lifeform, designed to destroy planets, and sought after by a tyrant called the Lord Commander. Aided by alien bounty hunter Avocato and renegade cop Quinn Airgone – also the subject of Gary’s unrequited love – Gary must keep Mooncake out of reach of the Lord Commander, to prevent him harnessing the power of Final Space to become a god.

Final Space is a weird gig, evolving over ten episodes from ‘a slob in space’ to an epic, save-the-universe adventure. To be fair, there’s an element of that all the way through, as every episode begins with one of Gary’s last ten minutes of oxygen as he drifts in space at the climax of the final battle, but a significant character death half-way through ups the ante. It’s a lot more interesting than I was honestly expecting, and worth checking out if you’ve got a few hours and an internet connection.

(1) Same duration as the original Enterprise mission. Coincidence?

Legion - Season 2

Hero, right?
So… what in the hells can I say about most of a season of Legion in a single blog post?

So, Season 2 follows the shifting alliances in the hunt for the Shadow King’s body. David struggles to follow future Sid’s directions without leading his allies into harm’s way. At the same time, Lenny – or the part of her mind that exists within the Shadow King since her death – begins to show her independence from the primary consciousness of Ahmal Farouk, asking to be given a body and a new life in return for her service.

Weirdness abounds.

Farouk is able to get to his body first, while David – enraged by the discovery that Farouk has restored Lenny by overwriting his sister’s soul and warping her body into a facsimile of Lenny’s – sets up an elaborate gambit, planting subconscious prompts in various allies in order to set up a situation in which Farouk’s powers can be nullified. This gambit does pay off, enabling him to defeat the Shadow King in a bravura clash of swirling chalk figures – seriously, this series is hella stylish – but at the same time Farouk reveals to Sid that he has also managed to contact future Sid, and that the danger that she wants Farouk alive to face in the future is David, because David is, at his core, broken in such a way that he can only ever pretend to connect to other humans, all the while seeing them as lesser beings and his to do with as he pleases. Consequently, Sid tries to shoot him. He erases her memory of the event and her motives in order to restore their relationship which, once she discovers it, leaves Sid understandably pissed as hell.

Really, really stylish.
Division 3, backed by the Shadow King, confront David, who basically declares ‘screw the lot of you’ and swans off with Lenny to be bad guys or something.


Now, not wanting to dump on the Defenders line – or not on any part of it that isn’t Iron Fist, anyway – but this is some seriously tight storytelling. A lot happens in the course of ten episodes, and I would hold this up as another example of why the US standard of 20-23 episodes isn’t necessarily the best model for television drama. The standard was developed in a time when the idea of serialised fiction in an ongoing series was almost unheard of. Serial fiction was the purview of the mini-series – 3-6 episodes of ninety minutes or more – while ongoing series, like Star Trek or Bonanza, would have an anthology format. But then, Babylon 5 happened, pretty much. Arc plots became de rigeur, and while some series make it work, most end up with a mix of arc episodes and filler of indifferent quality, telling a story that ends up over-stretched. A shorter season maintains the quality and momentum of a series much better than a longer one.

On the other hand, presumably revenue is determined by how many episodes you can stick adverts in, so…

But yeah; Legion is very good. Love it.

Thursday 13 September 2018

Westworld - Season 2 (the rest of it)

"It's not who you are on the inside; it's what you do that defines you."

My last big TV weekend included a blitz through the remaining episodes of Season 2 of Westworld. I should say, I’m not convinced that this is the best way to watch Westworld, a show which definitely benefits from a week after each episode to talk over the events and speculate wildly with your mates.

From where I left off, the various timelines progress and, occasionally, overlap, as Delores tries to annihilate the human presence in the park, who seek to return the favour, Maeve seeks for her daughter, the Man in Black seeks for some kind of validation in his life, and Charlotte Hale tries to extract the Delos Corporation’s IP from the park.

Delores attacks the Mesa, and effectively destroys Teddy in trying to make him go along with her plans. Maeve and her posse find their way into Shogunworld and encounter their Japanese alternate selves, thanks to Sizemore’s limited narrative creativity and writing time. Here, Maeve develops her ability to control other hosts, as a tragedy plays out despite their best efforts, before they return to Westworld and discover that – perhaps unsurprisingly – her daughter has a new mother and isn’t wild to go with the crazy woman. Fleeing from the Ghost Nation and security troops, Maeve is captured thanks to Sizemore’s betrayal. We also meet a new character, Akecheta, a member of the Native American monster faction called the Ghost Nation. As it becomes apparent that the Ghost Nation hosts have transcended their rather bland ‘murderous savages’ programming, Akecheta tells his story to Maeve’s daughter – revealed in a bravura twist to be also operating as a conduit through which the captive Maeve can hear him – explaining that he stumbled on the Maze way back in time, and found that it opened his mind as Bernard had hoped. Remembering his old life, even when reinvented as a member of the Ghost Tribe, he tried to escape with his wife into the heart of the Maze. She was captured, and he went off-grid, managing not to be taken to the ‘underworld’ for years.

"I've had it with all this bull."
Maeve breaks out, less thanks to would-be saviours Hector and Sizemore than to a stampede of host buffalo that she engineers. She and Akecheta then work together to get as many hosts as possible to the Valley, where Arnold created a doorway to a virtual world intended to be their sanctuary and utopia. This is a plan that Delores disapproves of, since she’s into this whole world domination thing, and which is threatened when Delos troops replicate Maeve’s host control ability in Clementine and turn her into a lethal Trojan horse, spreading uncontrollable rage among other hosts. Sizemore sacrifices himself, finally getting the big speech he wrote for Hector out, and the rest of Maeve’s posse are killed protecting the refugees.

Bernard and Delores clash over the fate of the park after discovering that the precious IP is not merely marketing information on the superrich, but sufficient observational data to recreate the guests in host bodies, providing immortality at a price. This process is as yet unperfected, and the central AI – in the figure of Logan Delos – claims this is because they are trying to make people too complicated, because people are basically simple, as trapped in their loops and core drives as any host.

Bernard kills Delores, floods the Valley, but then witnesses Hale murdering Elsie. Now, we kind of thought Elsie was dead last season, but no; turns out Bernard just imprisoned her in a cave, so that she could survive to be shot in the face by a ruthless corporate executive. Yay. Anyway, this convinces Bernard to set up a complex Batman gambit, in which he resurrects Delores in a host body which looks like Hale, so that she can take out the real Hale, replace her, lead the Delos forces back to the Valley and thus save the host minds in the sanctuary, scrambling his own memories so that no-one can force him to reveal his plan.

Delores, with a little help from might-be-a-host Stubbs(1), sends the sanctuary to a digital safe place, then checks out of the park with a bag of host brains, while Maeve’s acolytes Felix and Sylvester are tasked with ‘salvaging’ the hosts who aren’t too badly damaged to restore, including Maeve, Hector, Armistice and Hanaryo, Armistice’s Shogunworld doppelganger. William’s daughter rocks up from Rajworld to confront her father, and he shoots her; thanks for that, Westworld. He then gets shot all to hell confronting Maeve and ultimately ends up medivaced from the park and… apparently waking up as a host in the far future.


I expected her to do more, you know.
So, that – more or less – was Westworld Season 2, which maintained the complexity and twisted timelines of the original, while deepening the overarching narrative and its musings on the nature and limitations of consciousness and agency. Of course, it remains a sumptuous production, with a stellar cast. It’s very, very complicated – I kept almost forgetting things in writing this review, like the existence of William’s daughter(2) – but the overall impression is still strong, and clearly it’s still inspiring a lot of speculation moving forward. As always with something this involved, it’s hard to know how long it will last. When you wind together this many plots and this size of ensemble, it’s really easy for the wheels to fly off. So far, the show hasn’t kept anyone in the cast beyond their character’s purpose. Big-name Anthony Hopkins was reduced to a minor recurring role this season, and ultimately done away with as anything but a figure in flashback. The dead stay dead, even in a show which has a built-in excuse for them not to.

Westworld Season 2, still going strong.

(1) I’m not sure how I feel about this one. My immediate impression was that Stubbs was just so monumentally pissed off with the jerks he ultimately worked for that he was letting Char-lores out to fuck with them.
(2) Seriously, she’s in there for a couple of episodes and then her dad shoots her, which aside from anything else made me care even less about his unbelievably fucked-up soul.