"Are you crazy? Is that your problem?" |
In 'Blood Washed Away', Cole and Railly work to prevent the final paradox in 1957. They know where and they know very roughly when, but as their window closes all they have managed to do is rule out every possible suspect and wear each other's nerves to the bone. A nervous man on a temp crew brought in to fix the roof of the factory in question looks solid for the perp, but faced with prophylactic execution he confesses that he was paid to draw monkeys and act crazy.
"I'm beginning to reconsider my calling as a revolutionary leader." |
"There's a house, cedar and pine." |
"Witness me!" |
'Why would you walk towards the weird music? Ramse, nothing about this place says "good idea."'
Ramse is insistent, and they press on, finding a hooded figure in some sort of ritual circle. Suddenly, they are surrounded by other robed figures, all carrying punch daggers, and as Cole and Railly finally get it on in 1959, the scene is intercut with Ramse and his team being slaughtered by the Army, which is some hardcore fan disservice, I can tell you.
And that brings us to 'Memory of Tomorrow', which opens with a voice over which mostly, but not entirely, mirrors that from 'Year of the Monkey', since that's how 12 Monkeys rolls.
'I want to tell you a story... About how the world ends. And the man who came back through time to stop it... And failed. For, you see, there is another traveler, one who's both the architect and witness to our destruction. And the man cannot see the other's design...
It's her! From the movie! |
'The end of the beginning... And the beginning of the end.'
James and Cassie are living in 1959 and she is finally using his first name. They are telling themselves that it's all okay, Ramse killed the Witness and time is safe, but then time freezes around Cole and a woman he doesn't know tells him it's not over. If the audience weren't worried enough knowing what happened at the end of last episode, the visitation is given more meaning because the woman - and our mystery narrator - is Madeleine Stowe, who played Katharine Railly in the Terry Gilliam interpretation. Here it turns out she is a woman named Lillian, a primary who killed her family to save them from the end of time.
This is the sort of happiness that characters in 12 Monkeys really ought to avoid for survival's sake. |
And so, reluctantly, knowing what it will mean for him and for Cassie, and for their child, Cole drinks the red tea and projects his mind back, visiting a few key moments before settling on 1957 and killing Charlie before he can paradox his wife. At this point I became convinced that the Witness would turn out to be Cassie, after she learned Cole had effectively voided their child's life.
She also has a big dog now, and probably a suit of power armour out the back. |
Jennifer fails to rally the Daughters at first; after a strong start with material borrowed from The Lord of the Rings and Braveheart, a big shout out to Independence Day proves a quote too far. At the last minute, however, she pulls it out of the bag with her willingness to give her own life, and her final lesson: 'Be excellent to each other.'
Whoa. |
Separated by Army reinforcements, the team end up scattered. Jones, Cole, Whitley and Hannah escape with most of the Daughters, Deacon is killed buying Jennifer time to escape, Jennifer is caught in a temporal leak and thrown to the trenches of World War I, Ramse is rescued by a seeming member of the Army and Cassie is captured.
I love the mirroring of this image with Ramse getting gut-stabbed over the top of the sex scene last episode. |
As the season comes to a close, Ramse meets Olivia, who promises she is not with the Army any more, and she will take him to his son. Cole and Jones splinter back to the facility, but Cassie's tether is gone. Jones is however able to track Titan and sends Cole after it, to 2162, where the Pallid Man welcomes Cassie and tells her that the Witness is safe, the child of two time travellers born outside of time. Her child. So a) shows what I know and b) OMFG!
I told you, this is a story about how the world ends. One that begins at the end and ends... at the beginning.
I told you, this is a story about how the world ends. One that begins at the end and ends... at the beginning.
As in the first season, 12 Monkeys delivers a finale which changes the game, not merely going forward, but looking back. All the references to Cole and Cassie's part in the plan, their importance, take on a new light. We also saw the Army become a major, physical threat for the first time, with their vast time ship and conclave of hooded figures, although the great success of season 2 lies in revealing so much about the Army and its plans without removing their sense of overall menace.
And did I mention that Jennifer is in 1917, trying to convince the French that she isn't a German spy. That's earlier than any other splinter to date, and also means that Emily Hampshire is almost certainly going to have lots of totally bonkers and wonderful stuff to do throughout Season 3, and I can not express how happy her presence as a regular this season has made me.
No comments:
Post a Comment