"My name is Angus MacGyver; I think I'm basically committing one, maybe two acts of war here." |
Le sigh.
Anyway, the main mission of the week involves violating the sovereign territory of Venezuela(2), for an adventure I call 'The Fracas in Caracas'. A CIA operative has assembled a dossier on a drug cartel boss, but has been captured before handing it off. The agent in question, Sarah, knew Jack back in his days at the Farm(3), and is of course the lost love of his life. The mission is to rescue her, retrieve the dossier, and exfiltrate.
Amy Acker is wasted on this material. |
Jack stops Sarah executing the cartel boss and they all go home for tea and crumpets, and to meet Sarah's fiance, because fuck you Jack and no woman feels as deeply or as lastingly as a man.
In ongoing personal plot territory, Riley gets Mac's creeper roommate to pretend to be her boyfriend and convince her parole officer that her life is stable and that she hasn't been granted parole on condition that she stay in LA and not use computers in order to be an international hacker, in exchange for one digit of her phone number each week. Mac sits obsessively in Nikki's apartment until he finds a hidden compartment behind an electrical outlet that the CIA somehow missed, where he finds a passport for her alias(5).
I think that ultimately MacGyver's problem is that it is too much like the show that it is remaking. It feels old-fashioned in its gun-ho, globetrotting, covert enforcement of American hegemony, and in its portrayal of female characters and male/female relationships. The original was probably as bad, but it at least had the excuse of being actually made in the 80s. The remake has all the problems of the 80s, without the benefit of genuine, nostalgic charm. The actors are decent enough, but the characters aren't all that likable, again because they are of an earlier age, when men were men and felt deeply without ever showing it, and women could move on because all their emotion was on the surface and even the tough ones got what they wanted through wiles. Riley is definitely wily, and I think we're supposed to cheer for her putting one over on her parole officer. Meanwhile, Mac and Jack shoot hoops to bury their hurt, for they are men. A few lines suggest that they are aware that they are writing problematically old-fashioned characters, but honestly that just makes it worse. It's like Sharknado presenting a shitty movie and saying 'it's okay, because we know it's shitty.'
(1) Each episode - apart from the pilot - is named after one of the attachments on a Swiss Army Knife. I'm looking forward to 'That Thing for Getting Stones Out of Horses' Hooves'. Also, this may be the cleverest thing about the series, which is a bit sad.
(2) Which barely even counts as a separate country, right? It's all America.
(3) CIA Headquarters in Langley, Virginia.
(4) I'm really not sure how. Reilly booked 8 hours internet time, the estimated duration of the upload, and was still in the internet cafe when the goons and boss lady arrived within seconds of one another. The direct commercial flight time from LA to Caracas is 7 hours 44 minutes. Assume she shaved a couple of hours off this using a fast private plane, she still needs to get to the plane, board, get off at the other end, get out of the airport with a gun (so probably somewhere well away from Caracas itself) and get to the internet cafe. And Riley claimed that she'd masked her IP or something, so presumably she had to try all of the internet cafes looking for the right one.
(5) Although... presumably not the one she'd be using, right?
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