"I'm sorry, sir; the captain has turned on the no kneecapping sign..." |
'4C' is a delight of an episode, which serves up a deliriously silly story with a straight face and a devil-may-care grin, while also serving to realign Reese with his destiny. It shows a far more subtle and complex side to the Machine, not merely bypassing Finch but also the established signalling system, controlling Reese's movements, and setting the team against its own official side in order to head off a disastrous air crash.
Allegedly she has a .38 somewhere in that outfit. |
Reese recovers his mojo - and scores a date with sassy Holly after they bond over their shared calling of 'helping others' - and heads back to work in a new Italian suit for 'Provenance', although this is really Shaw's show.
The Machine throws out the number of an art dealer, who turns out to be a sophisticated thief whose accomplices always turn up dead. There are wheels within wheels, however, and when the team prevent her theft of the Gutenberg Bible, they learn that she is a largely non-violent professional, working under duress for a ruthless cartel who are responsible for the actual bodycount, and who are holding her daughter. With Shaw on point, it's time for a heist!
Also, this happens. |
So weird without a tie... |
'Last Call' gives Harold a chance to be a geek hero, even managing to win out in a showdown with a gun-toting villain. Reese is a little gung ho, ignoring Shaw of all people telling him to wait for backup. Meanwhile Fusco gets a little more meat. Working with another detective who has sought out his help, he finds that his case is dovetailing with Harold's as they close in on the extortionist's agenda. We also introduce a new recurring villain, and a personal nemesis for Harold.
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