Monday, 23 June 2014

The Great Gatsby

Don't get blase; everything in the film looks this good.
It was a couple of years ago that I found out Baz Luhrman was making a new adaptation of F. Scott Fitzgerald's The Great Gatsby, all art deco style and anachronistic musical numbers, and I said 'sign me up'. Hannah was also keen, which makes it odd that neither of us managed to watch it until a couple of weeks ago.

So, this is a Baz Luhrman film, so if you don't like Baz Luhrman, it's not going to be for you. It is a gorgeously stylised film, evoking the period of the novel through sumptuous art deco set design and costumes. The actors all look the part, in fact the casting is near-perfect, and the dialogue is snappy, while the plot rattles along at a rapid pace.

Di Caprio has now emerged from his difficult hearthrob phase and, like Brad Pitt, is now cheerfully excelling in the kind of character roles once denied him on account of his boyish good looks. Maguire is a perfect ingenue, and the supporting players - from Mulligan's self-centred Daisy and Edgerton as her brutish husband - to lesser parts such as Fisher's brassy moll and Debicki's enthusiastic socialite. The interaction between the characters - in particular the central triad of Gatsby's optimism, Carraway's blinkered devotion and Daisy's brittle reserve - is note perfect.

It's not a film with a great deal of depth, but it's slick and beautiful, and was definitely worth the wait.

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